How did a group of scared peasants from a backwater of the Roman empire - followers of an executed criminal - form the largest religion on the planet? The story of Christianity, its transformation from an illegal sect to the religion of emperors, kings and presidents, and its spread across the globe, is an endlessly fascinating one. The History of Christianity gives readers an overview of these extraordinary 2,000 years. It is a history not only of how Christianity has changed the world, but also of how the world has changed Christianity. The first half of this volume is arranged mostly chronologically to create a single narrative from the age of exploration to the late twentieth century. The second half describes the history of the church in the past hundred years or so, with each chapter focusing on a different part of the world. Boxed features throughout the volume highlight especially important figures or themes from each of these periods. The History of Christianity:The Age of Exploration to the Modern Day will be welcomed by all those wanting a lively and engaging presentation of the people, events, places, and plain curiosities that have formed the Christian story.

Architecture is expected to be solid, stable and reassuring-physically, socially and psychologically. Bound to each other, the architectural and the material are considered inseparable.
Jonathan Hill, architect and architectural historian, argues that the immaterial is as important to architecture as the material and has as long a history and so "Immaterial Architecture" explores the often conflicting forces that draw architecture towards either the material or the immaterial. The book discusses the pressures on architecture and the architectural profession to respectively be solid matter and solid practice, and considers concepts that align architecture with the immaterial, such as the superiority of ideas over matter, command of drawing, and design of spaces and surfaces.
Focusing on immaterial architecture as the perceived absence of matter more than the actual absence of matter, Hill devises new means to explore the creativity of the user and the architect. Users decide whether architecture is immaterial, but architects, and any other architectural producers, create material conditions in which that decision can be made. "Immaterial Architecture" advocates an architecture that fuses the immaterial and the material, and considers its consequences, challenging preconceptions about architecture, its practice, purpose, matter and use.

Architecture is made by use and by design. Drawing on the work of a wide range of architects, artists and writers, this book considers the relations between the architect and the user, which it compares to the relations between the artist and viewer and the author and reader. The book's thesis is informed by the text 'The Death of the Author', in which Roland Barthes argues for a writer aware of the creativity of the reader.

'The Death of the Author' is an important influence on artistic production, encouraging less didactic subject-object and artist-viewer relations than ones familiar in the art gallery. Its relevance to architecture is equally strong but largely unnoticed. Actions of Architecture argues for an architect aware of the creativity of the user. With a role as important in the formulation of architecture as that of the architect, the creative user either produces a new space or gives an existing one meanings and uses contrary to established behaviour.

Actions of Architecture begins with a critique of strategies that define the user as passive and predictable, such as contemplation and functionalism. Subsequently it considers how an awareness of user creativity informs architecture, architects and concepts of authorship in architectural design. Identifying strategies that recognize user creativity, such as appropriation, collaboration, disjunction, DIY, montage, polyvalence and uselessness, Actions of Architecture states that the creative user should be the central concern of architectural design.

The aim of this book is to expand the subject and matter of architecture, and to explore their interdependence. There are now many architectures. This book acknowledges architecture far beyond the familiar boundaries of the discipline and reassesses the object at its centre: the building. Architectural matter is not always physical or building fabric. It is whatever architecture is made of, whether words, bricks, blood cells, sounds or pixels. The fifteen chapters are divided into three sections - on buildings, spaces and bodies - which each deal with a particular understanding of architecture and architectural matter.
The richness and diversity of subjects and materials discussed in this book locates architecture firmly in the world as a whole, not just the domain of architects. In stating that architecture is far more than the work of architects, this book aims not to deny the importance of architects in the production of architecture but to see their role in more balanced terms and to acknowledge other architectural producers. Architecture can, for example, be found in the incisions of a surgeon, the instructions of a choreographer or the movements of a user. Architecture can be made of anything and by anyone.

Contents:
Contents.
Jonathan Hill, Introduction
Mark Cousins, Building an Architect
Katerina Ruedi, Curriculum Vitae. The Architect's Cultural Capital: Educational Practices and Financial Investments.
Lesley Naa Norle Lokko, ResponseAbility
Jeremy Till, Architecture of the Impure Community
Fat, Contaminating Contemplation
Carlos Villanueva Brandt, Space Within
Muf, Art and Architecture, Shared Ground
Jonathan Hill, The Illegal Architect
Paul Davies, The Landscape of Luxury
Ben Godber, The Knowing and Subverting Reader
Iain Borden, Body Architecture: Skateboarding and the Creation of Super-Architectural Space
Philip Tabor, Striking Home: The Telematic Assault on Identity
Jane Rendell, Doing it, (Un)Doing it, (Over)Doing it Yourself: Rhetorics of Architectural Abuse

Weather Architecture further extends Jonathan Hill s investigation of authorship by recognising the creativity of the weather. At a time when environmental awareness is of growing relevance, the overriding aim is to understand a history of architecture as a history of weather and thus to consider the weather as an architectural author that affects design, construction and use in a creative dialogue with other authors such as the architect and user.

Environmental discussions in architecture tend to focus on the practical or the poetic but here they are considered together. Rather than investigate architecture s relations to the weather in isolation, they are integrated into a wider discussion of cultural and social influences on architecture. The analysis of weather s effects on the design and experience of specific buildings and gardens is interwoven with a historical survey of changing attitudes to the weather in the arts, sciences and society, leading to a critical re-evaluation of contemporary responses to climate change.

Occupying Architecture focuses on the importance of the user in architecture, emphasising the cross-currents between design, theory and use, and the need for a wider cross-cultural approach to architecture. Proposing a complete re-working of the relations between design and experience to transform practices of the architect, the authors call for the dislocation of architecture from the profession and its relocation within an expanded cultural and social practice.
Beginning with the architect, the book proceeds to explore models for architectural practice that actively engage the issue of use, and concludes with examination of the user. The authors draw on illustrations and examples from London, Las Vegas, Barcelona, Bruges and elsewhere to discuss how and why architectural production and discourse ignores the user, focussing in particular on that which is being ignored. The apparant contradictions between the 'producer' and the 'product' of architecture are highlighted before the activities of the architect and the actions of the user are explored.
This book illustrates that architecture is not just a building: it is the relation between an object and its occupant.

eBook available with sample pages: HB:0415168155

A comprehensive guide to every significant Christian theologian from the first century to the death of John Duns Scotus in 1308, the 'Dictionary of Theologians' provides an invaluable window into the complex world of early and medieval Christian thought. The Dictionary encompasses the mainstream Eastern and Western traditions, as well as all notable heretical and sectarian movements, including information not previously available in English. Over 300 entries, indexed by name, each providing an accessible summary of a theologian's life and writings that reflects recent scholarship, as well as an up-to-date bibliography containing a wide range of the most important primary and secondary texts and translations. Useful for all levels of academia, the thoroughness of Hill's compilation provides an indispensable resource for even the most penetrating of studies on so large and varied a range of Church thinkers. About the Author: Jonathan Hill holds a MPhil in Theology from Oxford University and a PhD in Philosophy from National University of Singapore. He lives in London and Oxford. His previous publications include 'The History of Christian Thought' (2003), 'Faith in the Age of Reason' (2004), 'What Has Christianity Done For Us?' (2005) and 'The Big Questions' (2007).

Leadership is learnable. Furthermore, future developments within our organizations will be strongly influenced by our leadership effectiveness. In ten steps Margareth de Wit describes how, as a leader, you can train yourself to achieve desired transitions within your organization. Educated at INSEAD and Wharton, Margareth de Wit has a long and rich experience working at the top of international companies in the USA, India, the UK, and Africa, providing intensive leadership sessions to CEOs, commissioners, managers, and directors. Margareth de Wit has inspired hundreds of professionals within the education sector to see themselves as playing the central role in providing better education through intelligent collaboration in self-managing school teams. Her experiences show that systematic attention to leadership and group dynamics creates organizations that are both successful and future-proof. Providing striking examples from her broad practice and experience, historical comparisons, human interactions, analytical schemes, and evidence-based methods, de Wit paints a picture of the road that leads to effective leadership. While this transition is never finished, it is nevertheless one that always leads to both personal and organizational improvement.

Critical Architecture examines the relationship between critical practice in architecture and architectural criticism. Placing architecture in an interdisciplinary context, the book explores architectural criticism with reference to modes of criticism in other disciplines - specifically art criticism - and considers how critical practice in architecture operates through a number of different modes: buildings, drawings and texts.

With forty essays by an international cast of leading architectural academics, this accessible single source text on the topical subject of architectural criticism is ideal for undergraduate as well as post graduate study.

Architecture is expected to be solid, stable and reassuring-physically, socially and psychologically. Bound to each other, the architectural and the material are considered inseparable.
Jonathan Hill, architect and architectural historian, argues that the immaterial is as important to architecture as the material and has as long a history and so "Immaterial Architecture" explores the often conflicting forces that draw architecture towards either the material or the immaterial. The book discusses the pressures on architecture and the architectural profession to respectively be solid matter and solid practice, and considers concepts that align architecture with the immaterial, such as the superiority of ideas over matter, command of drawing, and design of spaces and surfaces.
Focusing on immaterial architecture as the perceived absence of matter more than the actual absence of matter, Hill devises new means to explore the creativity of the user and the architect. Users decide whether architecture is immaterial, but architects, and any other architectural producers, create material conditions in which that decision can be made. "Immaterial Architecture" advocates an architecture that fuses the immaterial and the material, and considers its consequences, challenging preconceptions about architecture, its practice, purpose, matter and use.

Architecture is made by use and by design. Drawing on the work of a wide range of architects, artists and writers, this book considers the relations between the architect and the user, which it compares to the relations between the artist and viewer and the author and reader. The book's thesis is informed by the text 'The Death of the Author', in which Roland Barthes argues for a writer aware of the creativity of the reader.

'The Death of the Author' is an important influence on artistic production, encouraging less didactic subject-object and artist-viewer relations than ones familiar in the art gallery. Its relevance to architecture is equally strong but largely unnoticed. Actions of Architecture argues for an architect aware of the creativity of the user. With a role as important in the formulation of architecture as that of the architect, the creative user either produces a new space or gives an existing one meanings and uses contrary to established behaviour.

Actions of Architecture begins with a critique of strategies that define the user as passive and predictable, such as contemplation and functionalism. Subsequently it considers how an awareness of user creativity informs architecture, architects and concepts of authorship in architectural design. Identifying strategies that recognize user creativity, such as appropriation, collaboration, disjunction, DIY, montage, polyvalence and uselessness, Actions of Architecture states that the creative user should be the central concern of architectural design.

Each architectural design is a new history. To identify what is novel or innovative, we need to consider the present, past and future. We expect historical narratives to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The aim of this volume is to understand each design as a visible and physical history. Historical understanding is investigated as a stimulus to the creative process, highlighting how architects learn from each other and other disciplines. This encourages us to consider the stories about history that architects fabricate. An eminent set of international contributors reflect on the relevance of historical insight for contemporary design, drawing on the rich visual output of innovative studios worldwide in practice and education. Wide ranging and thought-provoking articles encompass fact, fiction, memory, time, etymology, civilisation, racial segregation and more. Features: Elizabeth Dow, Pezo von Ellrichshausen, Terunobu Fujimori, Perry Kulper, Lesley Lokko, Yeoryia Manolopoulou, Niall McLaughlin, Aisling O'Carroll, Arinjoy Sen, Amin Taha and Sumayya Vally.

Furious floods, looming landslides, terrifying tornadoes, ferocious forest fires! Is Mother Nature trying to tell us something? As "snowpocalypse" descends once again, one temperamental weatherman is determined to set the record straight on the myths and misconceptions surrounding the elements. What is the difference between weather and climate? How do weather satellites predict the future? Can someone outrun a tornado? Does the rotation of the Earth affect wind currents? And does meteorology have anything to do with meteors? Stormin' Norman Weatherby is gearing up to answer all your wildest questions!

Drawing on the experiences of his Vietnamese American family and his love of ’80s sci-fi shows, Jonathan Hill crafts a funny, insightful graphic novel about the immigrant experience and the perils of middle school. Threatened with diminishing resources, Booger Lizk’t and his family flee their lizard community deep below Earth’s crust to survive above among humans. The Lizk’t family of Elberon now passes as the Tomkins family of Eagle Valley. “Tommy Tomkins” wears a human face to school but can’t seem to fit in no matter how he looks. The basketball team becomes a pipe dream when bullies label him a bug eater, and only Dung Tran, an immigrant from Vietnam and fellow outsider, sees Tommy for who he is inside, which is nothing like the outer-space lizard invaders on TV’s hottest series. Can their friendship survive the truth? In his first solo middle-grade book, award-winning creator Jonathan Hill perfectly captures the sometimes dystopian drama of middle school while reminding readers of the universal need for belonging.

The Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture. Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a 'physical novelist' as well as a 'physical historian'. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruin's incomplete and broken forms expand architecture's allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.

Why read about the history of Christian thought? Because, if you are Christian yourself, it helps you to understand the faith--addressing everything from where Christians got their ideas of the Trinity and how Christ can be both human and divine to what they think about issues like feminism, globalization and social justice. And because, even if you are not, all Western society has been shaped by the influence of thinkers like Augustine, Aquinas and Luther. You can't understand the world as it is without knowing something about Christian thought. Jonathan Hill has the uncanny ability to sketch portraits of his subjects--whether early church apologists, medieval doctors of the church, Reformation giants, nineteenth-century philosophical behemoths or contemporary feminist scholars--that are simultaneously lively, brief and revealing. Similarly, he ably penetrates to the nub of their thought, combining apt description with pithy quotations from their work. Significant events, councils, movements and terms are introduced and explained, which put the cast of characters in context and illumine their place within the development of Christian thought. Not content to merely describe, Hill offers pertinent assessments that highlight the strengths and weaknesses of his subjects' contributions to Christian thinking and spurs you to reflect on significant issues for yourself. A society with no grasp of its history is like a person without a memory. So Hill, in this lively and accessible introduction, offers you a wealth of insight on the history of Christian thought and the colorful personalities of those who gave it shape and form.

The Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture. Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a 'physical novelist' as well as a 'physical historian'. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruin's incomplete and broken forms expand architecture's allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.

The aim of this book is to expand the subject and matter of architecture, and to explore their interdependence. This book acknowledges architecture far beyond the familiar boundaries of the discipline and reassesses the object at its centre: the building. Architectural matter is not always physical or building fabric. It is whatever architecture is made of, whether words, bricks, blood cells, sounds or pixels. The fifteen chapters are divided into three sections - on buildings, spaces and bodies - which each deal with a particular understanding of architecture and architectural matter.
The richness and diversity of subjects and materials discussed in this book locates architecture firmly in the world as a whole, not just the domain of architects. In stating that architecture is far more than the work of architects, this book aims not to deny the importance of architects in the production of architecture but to see their role in more balanced terms and to acknowledge other architectural producers. Architecture can, for example, be found in the incisions of a surgeon, the instructions of a choreographer or the movements of a user. Architecture can be made of anything and by anyone.

A society with no grasp of its history is like a person without a memory. This is particularly true of the history of ideas. This book is an ideal introduction to the thinkers who have shaped Christian history and the culture of much of the world. Writing in a lively, accessible style, Jonathan Hill takes us on an enlightening journey from the first to the twenty first centuries. He shows us the key Christian thinkers through the ages - ranging from Irenaeus, Origen, Augustine and Aquinas through to Luther, Wesley, Kierkegaard and Barth - placing them in their historical context and assessing their contribution to the development of Christianity.

Critical Architecture examines the relationship between critical practice in architecture and architectural criticism. Placing architecture in an interdisciplinary context, the book explores architectural criticism with reference to modes of criticism in other disciplines - specifically art criticism - and considers how critical practice in architecture operates through a number of different modes: buildings, drawings and texts. With forty essays by an international cast of leading architectural academics, this accessible single source text on the topical subject of architectural criticism is ideal for undergraduate as well as post graduate study.

The dramatic and compelling account of how a serial killer was finally unmasked after evading justice for more than twenty years.

Soon to be a major TV series starring Luke Evans

1980s. In the beautiful, unspoiled landscape of Pembrokeshire, a serial killer is at large: two double murders; an assault; the rape and assault of two teenagers - all potentially the work of one man.

This is the fascinating true story of a brutal murderer and the detectives who worked the cold case for six years in order to bring him to justice. Combining cutting edge forensic techniques with old fashioned detective work, a team of detectives worked to build a case against their prime suspect. But it was a race against time: would he strike again?

No one could predict that the killer's appearance on a gameshow would provide bizarre but crucial evidence.

The operation is now recognised as one of the greatest cold case reviews ever undertaken in the UK.

The killer is now serving a "life means life" sentence.

Conduct disorders are very common conditions and the most frequent reason for clinical referrals to child and adolescent mental health facilities. Aggression and oppositional behavior in youth often becomes persistent, and substantially increases the likelihood of adult problems of criminality, unstable relationships, psychiatric disorder, and harsh parenting. This comprehensive book by leading clinicians and researchers reviews established and emerging aspects of conduct disorder. It highlights the complexity and probable heterogeneity of the condition, including the biological, neuropsychological, cognitive factors, and role of attachment and family influences. The book reviews preventive and treatment approaches and outcomes with developmental and gender-based variations emphasized throughout. This uniquely authoritative survey of a common clinical and social problem integrates findings from a wide range of research perspectives, and will be essential reading for mental health practitioners and others with clinical, sociological, or medicolegal interests in child health and behavior.

Cardiovascular disease remains the major cause of morbidity and mortality throughout developed countries and is also rapidly increasing in developing countries. Cardiovascular medicine and the specialty of cardiology continue to expand, and the remit of the cardiologist is forever broader with the development of new sub-specialties. The Oxford Handbook of Cardiology provides a comprehensive but concise guide to all modern cardiological practice with an emphasis on practical clinical management in many different contexts. This second edition addresses all the key advances made in the field since the previous edition, including interventional cardiology, electrophysiology, and pharmacology. It expands the remit to medical students and the more junior doctor while retaining the level of detail required by more senior practitioners within the field.